Skip to main content

PRINT MEDIA PRODUCTION SESSION 8 - NEWSPAPER ANALYSIS - ADVERT ANALYSIS


Complete your analysis of a newspaper in the following way. 

1. Open up a new blogpost called 'NEWSPAPER ANALYSIS - AN ADVERT' 
Find an ad, preferably either a half-page, full-page or double-page ad. Again, take a shot of it and slot the image under the heading. 

2. Then tell me about the advert, again answering only the questions you think are relevant. 
What’s the style of language? (Formal/chatty/serious/funny/young/old)? What sort of  colours and fonts are predominant – why? What kind of image features in the ad? Why? What is the images denotation and connotation? How is the meaning created through the layout – why do you think things have been placed where they have? Would you have done things differently? Does the ad actually appear close to an article that refers to what’s being advertised? Does the ad seem targeted at the same audience that the newspaper has (working class for a tabloid newspaper, middle class for a broadsheet?)

3. Publish your post. Then, go get a magazine that interests you. 

Comments

Popular posts from this blog

PRINT MEDIA PRODUCTION SESSION 3 - PRODUCTION PROCESS PART 2

OK, last week you gave me breakdowns of all the important job roles in a magazine or newspaper and how they fit into the production process . Remember, so far we're just writing in general about a publisher , and the typical production process behind print products . It's towards this first criteria in your print media production unit. Today, just to absolutely nail the 'production process' element I want you to write a blog post about exactly how all these people working together get a newspaper onto the shelves. You'll tell me about the 4 stages involved, pre-production , production, post-production  and final print run.  PRE-PRODUCTION starts at the EDITORIAL MEETING . These are weekly for weekly papers/mags, daily for daily papers/mags, monthly for monthly mags. They're basically a staff meeting where the editor , the section editors , the writers and designers meet up to discuss and argue about what should be in the paper/mag this day/w...

MAGAZINE PRODUCTION WEEK 4 - ARTICLE FLATPLAN

Okay, on your magazine production work you should have - Done a DRAFT LAYOUT and FIRST GO of your FRONT COVER - PITCHED the article you're going to write. - WRITTEN a FIRST DRAFT of that article & sent it me. - Done a DRAFT LAYOUT for your ARTICLE While you wait for me to edit your article and send it back to you, it'd be a good time for you to continue experimenting with Indesign towards making a FIRST ATTEMPT at laying your article out on the page. Complete this part in the following way. 1. Open up a new blogpost. Call it 'ARTICLE FLAT PLAN' 2. Paste in your DRAFT LAYOUT and just add the sentence. 'This is the draft layout I will be working towards'. 3. Using Indesign or Photoshop, try putting the text from your FIRST DRAFT together with pictures to compose your magazine pages. You'll need your draft layout open so you know where things should go - your first attempt should be roughly to your layout. You should be averaging about 500-8...

PRINT MEDIA PRODUCTION SESSION 2 - PRODUCTION PROCESS PART I

The above image is from a film called 'All The Presidents Men', a great movie all about the two journalists Carl Bernstein and Bob Woodward who exposed the Watergate scandal in the US in the 70s, eventually leading to the toppling of President Nixon. Alot of the film is set in the Washington Post office you can see above. To a certain extent, it's a dated image (journalists don't use typewriters anymore for instance) but you'll still see similar scenes in newspaper offices today. Journalists on phones, chasing stories, taking notes, writing up copy. The way newspapers and magazines make it from planning to print has changed technologically (e-mail and internet-research for instance) but the actual basics of the process has remained the same. Editors and section editors ask writers and photographers to give them story ideas - writers and photographers then provide copy (another word for text) and shots to commission. Sub-editors check it all as the copy comes in...